A Sampling of the Past 30 Years
T.Collins Logan
|
Smart Phone Wonders
Since December of 2009 I have had a Motorola Droid with me most of the time. This has allowed more spontaneity about many things in my life, including photography. On this day in January of 2010, I was visiting with my friend Kay at her house in the Hillcrest area, a progressive oasis in San Diego. As she often does, Kay began to regale me with one of her many fascinating tales, and I just had to catch her in the act. |
Looking Up
Have you ever been inspired to look up into the sky for no particular reason? While sauntering along a trail in Zion National Park in 2009, my girlfriend Mollie and I found ourselves doing this frequently, and were always richly rewarded.
|
|
|
Hidden Treasure
For me, hiking in wilderness is all about paying attention. What’s around that bend in the trail? What’s hiding behind this log? What sounds will I hear when I am still? How are smells different under the trees, out in the grass, on top of that rock? It seems as though the longer I remain in one spot, the more my camera finds. This 2008 photo is from a hidden meadow on Mount Laguna just outside of San Diego. |
Outdoor Markets
Certain themes unconsciously recur over decades of taking photographs. Informal and spontaneous photos of people, animals and nature; interesting qualities of light or color; and aesthetically pleasing contrasts and patterns all tend to engage my eye. And so outdoor markets have tended to be ideal places to hang out. I mean, just look at the fuzz on those peaches!
|
|
|
People, Not Personas
In the fall of 2007 an upgrade to the Nikon D80 allowed me to return to one of my favorite subjects: people. Being able to quickly snatch a moment is especially critical when working with humans, as self-consciousness can quickly dampen the rich and rewarding spontaneity of our species. Where once I would hold my digital camera for painful seconds while the image was processed, now I could press the shutter exactly when needed. This shot, entitled "Inner Knowledge," was taken as part of an on-location shoot of some fascinating young friends.
|
Ugly Beauty
I have always been fascinated with the impact of human beings on natural environments. So often, our ugly mistakes are co-opted by Nature, becoming works of art despite our seeming indifference.
|
|
Possibilities
The slow digital technology of my old Olympus C4040 did have its advantages, bringing new techniques and new creative possibility. This was a full moon nighttime snapshot at Joshua Tree in 2005, complete with shooting star. It required no special setup or effects. What will new technologies make possible in five years? How will that change the way we see the world around us?
|
|
|
TriViews
In 2004 I decided to tell stories by putting three related photographs together in one large format (the final product is between 40 and 60 inches wide). This one is a compilation of images from Mono Lake, near Yosemite. These TriViews ask questions about place and interconnection, and are meant to evoke both serenity and mystery. This one is called "Predestination."
|
Textures & Patterns
When I first began categorizing slides years ago, I found a large number of images I could only call "interesting textures and patterns." Pieces of a larger picture, they are metaphors for what is beautiful, accessible and comprehensible in the world around us. In a life of travel, interaction and thought, what do we really see or understand but a tiny fraction of the Universe? This is some mud from the Anza Borrego desert, circa 2003.
|
|
|
In the Studio
These are some shots I did for musician promo packages. Most of my studio work has been people-centric. For me, this is about finding new ways to break through the surface to what I feel is the essence of a person.
|
Digital Art
At some point shortly after my conversion to digital photography in 2002, I took a stab at what I thought of as “recombinant digital art.” This was one of my first pieces, and one of my last. I actually got into an international art show with one of these experiments. I think it was just the novelty of the medium that caught the judge’s attention. And yes, those are nuns.
|
|
Old Boots
|
|
|
The North Cascades
When I first landed in |
Another
area of
|
Managing Inevitability
As inevitable as weddings are the requests that photographers shoot them. So I’ve done my fair share for friends and relatives, but I try to let the moment capture me, rather than the other way around. This is a just-married picture of my uncle Dale and aunt Deene. |
|
On the Flats
Here is a seldom seen angle of Vancouver, BC. A group of young boys would run as fast as they could clutching their skimboards, then hurl themselves into spinning, blurry ride across the sand flats - sometimes on their feet, sometimes standing up, but rarely if ever falling off. I think this was taken in the Spring of 1993. |
|
|
Up the Down Staircase
|
Humble Nobility
There is a Native American
story about how the Great Spirit divided animals from humans on a huge |
|
Portraits
From
the beginning my goal has been to capture the subject unawares, in the most natural and
impulsive of
moods. This is my sister Karin and her mother Jutta, taken on a return visit to
|
|
Post War Beliefs
Time in
|
Frankfurt American High School
My time in Frankfurt was filled with the arts, from opera and theatre to photography and art history. Travelling around Europe, it is impossible not to appreciate the prominent place the arts have had for centuries in those cultures. Under the guidance of many fine teachers, I was inspired to explore the arts in ways I had never considered before. In this photo I tried to capture some feelings I had at that time about the artist within.
|
|
|
Nordweststadt
I didn’t speak a lick of Deutsch
when I arrived in 1979. It was “West” |
|
Oompah Bands
The first time I heard live
mariachi music I exclaimed “Hey! That’s just like an oompah band!” The mainstay of German folk music is quite
similar to |
|
Churches
I
was not a religious person during the years I spent in
|
||
|
|
|
|
Faeries in the Wood
In the world of photography, I
suspect many young folks try to undress the objects of their affection for
the sake of . . . art. In a forest outside of
|
|
|
Just Another Cog
When I was thirteen, I climbed to
the summit of Mount Washington in |
Snagging the Instant
Beginning in 1978, I stayed with Rick and Marge at their Belchertown, MA home in the woods for about a year. One of my jobs was to stock the woodpile after feeding the woodstove each morning during the winter months. Rick's job was to show me how it was done. With a manual camera, slow and expensive film, and an overcast day, snagging this instant took careful planning. |
|
|
Theatre
There will always be a special
place in my heart for theatre. It was here I learned that performance
is as much about relationship as it is about acting skill and memorizing
lines. I think I took this photo in one of the first plays in which I performed:
Thornton Wilder’s “Our Town,” some time in 1979 in |
In the winter of 1978, my fourth grade class went to Boston Aquarium. There was a lot of teasing about my bulky new camera. That didn’t stop me from taking pictures – on the contrary, it seemed to harden my resolve.
|
|
|
Holidays
When family gathers together. This was Christmas of 1977, I think, when my sister Shelly refused to speak to anyone except through her Muppet and spent much of the day hiding behind furniture. I spent most of the day hiding behind my camera. I know this wasn’t the first roll of film I shot with my SLR, because the Pentax K1000 was fully manual, and it took me a while to remember to watch my exposure meter. But it was certainly very near the time when my shutter addiction really took flight. |
And that’s all for now….
All Content © T.Collins Logan